MNO Challenge -- Woven Fabric Update

My second attempt at weaving two fat quarters went a bit better using a heavy duty water soluble stabiliser. It was a bit sticky on the bed of the sewing machine when I first started sewing through the layers, but that didn't last long. No gunk on the needle althrough there was a bit of fluff around the bobbin case. I'll have to remember to clean it out after using this water soluble stuff.

Here's a close-up of the front ...

And a close up of the back ...

When I dunked it into cold water it got slimy for a minute and then dissolved away cleanly. I squeezed it out in a towel to get rid of the extra water and hung it up to dry. After ironing, it was a bit scrunched up around some of the stitching but that added some nice texture to the finished fabric.

One lesson for next time: be sure to weave strips so that there aren't any gaps in the corners between the strips. I've got a couple but don't know if the wadding will migrate through or not.

If it does, I can always write a book with my new embellishment technique and going on the international lecture circuit.

MNO Challenge -- Shivas Paintstiks Update

I got some more colours and finished up my fat quarter. It helps now that I understand more about how to use the rubbing plates more effectively. The metalic white really adds sparkle to the patterns.

Horizontal

As we flew into Kingsford-Smith and banked for our final approach over Botany Bay, the smoke from the Blue Mountains bush fires was blowing out into the Tasman.

Kingsford Smith Tall Poppies

Through Smoke Haze

While I was in Brisbane for the Ashes, the bush fires in the Blue Mountains continued to burn with more fires in the Hunter and Hawkesbury. It looked pretty smokey as we flew over the Harbour.

You can see the Harbour Bridge in the middle and, a bit down and to the left, the Sydney Opera House through the smoke haze. Once we had landed, the sky didn't look so hazy.

Gabba Tall Poppy

Gabba Tartan

Pinku Maniac

This quilt was made for HRH for her 6th birthday. She chose the fabrics while on a fabric shopping marathon with her grandmother and Aunt Jan. HRH also chose the name based on her belief that the Japanese word for pink is 'pinku'.

Looking back at this quilt, it was the last one I had machine quilted before I decided that I could learn to machine quilt myself.

I Didn't Touch It

It's Beginning to Look a Lot Like Christmas ...

Tiled Tables

In a moment of parental weakness, I agreed to take HRH to the mall to find a dress for the Year 6 Farewell at her school. While wandering through the cultural wasteland to her favourite shop, we came across these tables at a coffee shop that was part of an Asian imports shop. Tres kool!

Spring Colours

Time for Everything?

On one of the lists I belong to, someone was worried because she wasn't getting enough studio time. Between working and studying and the rest of life, she was a bit overwhelmed. She felt as if everyone else could do everything and was frustrated because she couldn't. And she felt that her work was suffering because she didn't think that she could get lots done in small increments of time.

I have some small experience with a excessive demands on my time and have found a couple of different ways to cope. And I thought I'd share them.

1. Learn to say 'no'. Sometimes you can do this nicely. Sometimes not. But you have to do it. And mean it. And stick to it.
2. Allow yourself not to be perfect. Be reasonable and let yourself off the hook sometimes. Your 'pretty good' is usually better than someone else's 'excellent'.
3. Don't worry about 'developing a body of work'. Just do the work. Work smaller. Work faster. Work intuitively. Work randomly. Just work.
4. Focus on extended studio time later. Right now, just focus on studio time. 10 minutes here and 10 minutes there can add up to serious studio time.
5. What some of us see as regular life, others may see as 'doing it all'. Change the way that you think about something and you will feel differently about it. Positive thoughts result in positive feelings.

Now, if I could just practice a bit more of what I preach ...

MNO Challenge -- Woven Fabric

The next challenge to add oooomph to my fabric choices: weaving two other fat quarters together and sewing the layers together. The book On the Surface by Wendy Hill makes it sound so easy. I've read the directions. There are even pictures. What could go wrong?

I took one of my hand-dyed fat quarters and a commercial fabric fat quarter and, faithfully following the directions, wove them together. I wasn't too sure how wide to cut the strips so decided on 2 1/2".

These strips, even though they are pretty wide, are slippery suckers and just won't stay put. And that made the weaving a bit of a challenge. But I got there in the end. So, before I started pinning, I did what every good engineer does ... thought it through before jumping into the breach.

The most stable part of each fat quarter is the edge that I didn't cut through when I cut the strips. The hand-dyed fabric had 4 cut edges so it didn't matter which side I kept intact. But the commercial fabric FQ still had a selvedge, so I left that one intact.

When I wove them together, I formed a corner where the two un-cut edges came together. That would be the most stable part of the piece and the best place to start pinning. I was working on a table with a smooth surface and every time I put a pin into the woven layers, the strips moved. Even pinning them, starting from the corner formed by the two un-cut edges, didn't help. And every time I moved the piece, things between the pins shifted.

Now I understand why, in her book, Wendy recommends using water-soluable stabiliser as a foundation. So, the next step is to follow the directions and repin the piece onto waster-soluable stabiliser, which I just happen to have here somewhere ...

MNO Challenge -- Shiva Paintstiks

I got out the Shiva paintstiks and decided it was time to give them a go. I've never used them before so even read the instructions before I started. There are instructions that came with the rubbing plates, but I found Paintstiks on Fabric by Shelly Stokes to be pretty inspiring.

First challenge was to get rid of the dry outer layer and expose the oil paint stick underneath. While the various instructions will be useful next time I use them, the first time you have to shave off the dry layer. If you try to pinch it off, as the instructions said, you will end up pinching off the entire top bit of the large wax crayons.

Second challenge was with the rubbing plates. I learned through trial and error that these plates have a right side (which gives good clear images) and a wrong side (which don't).

The paintstiks were dead simple to use and it was fun seeing how each rubbing plate came up on the fabric. I used plates from the Op Art set and the Triangle set here.

Now, I have to figure out what you do with a paintstik that you have rubbed down to the covering paper. Do you push the paintstik up into the tube exposing more material or do you peel back the paper like you do with a crayon? Enquiring minds want to know ...

I had two different blues and one green in my package of paintstiks. I decided to stop here because I wanted some more variety in the colours I used. I now remember why I always wanted the big box of 64 Crayola crayons (and, truth be told, still do).

So, being a resourceful internet shopper, I have ordered more colours. They will be a while because of a train derailment and a washed out bridge. So I'll finish this one off after they finish their trek from Perth. I am expecting a post card from them any day now.

Mosman Night Owls Challenge 2006

Early in 2006, I brought a parcel of Marimekko offcuts to our monthly Mosman Night Owls meeting. Each member of Mosman Night Owls chose one fabric and agreed to make something from that fabric for the November meeting, our last one of the year. The rules we agreed to were pretty simple:

• You could make anything that you wanted to make.
• You had to use some of the fabric in the finished piece and it had to be recognisable.
• You could alter the selected fabric in any way you wanted or use it as is.
  
• You could add as many other fabrics as you wanted.
  

This is the fabric that I chose ...

... and closer up ...

So, I got stuck into my stash and I found some hand-dyed fabrics and bought a few more. While they were the right colours, they didn't have much ooooomph. It is time to get creative.