Spring Colours

Time for Everything?

On one of the lists I belong to, someone was worried because she wasn't getting enough studio time. Between working and studying and the rest of life, she was a bit overwhelmed. She felt as if everyone else could do everything and was frustrated because she couldn't. And she felt that her work was suffering because she didn't think that she could get lots done in small increments of time.

I have some small experience with a excessive demands on my time and have found a couple of different ways to cope. And I thought I'd share them.

1. Learn to say 'no'. Sometimes you can do this nicely. Sometimes not. But you have to do it. And mean it. And stick to it.
2. Allow yourself not to be perfect. Be reasonable and let yourself off the hook sometimes. Your 'pretty good' is usually better than someone else's 'excellent'.
3. Don't worry about 'developing a body of work'. Just do the work. Work smaller. Work faster. Work intuitively. Work randomly. Just work.
4. Focus on extended studio time later. Right now, just focus on studio time. 10 minutes here and 10 minutes there can add up to serious studio time.
5. What some of us see as regular life, others may see as 'doing it all'. Change the way that you think about something and you will feel differently about it. Positive thoughts result in positive feelings.

Now, if I could just practice a bit more of what I preach ...

MNO Challenge -- Woven Fabric

The next challenge to add oooomph to my fabric choices: weaving two other fat quarters together and sewing the layers together. The book On the Surface by Wendy Hill makes it sound so easy. I've read the directions. There are even pictures. What could go wrong?

I took one of my hand-dyed fat quarters and a commercial fabric fat quarter and, faithfully following the directions, wove them together. I wasn't too sure how wide to cut the strips so decided on 2 1/2".

These strips, even though they are pretty wide, are slippery suckers and just won't stay put. And that made the weaving a bit of a challenge. But I got there in the end. So, before I started pinning, I did what every good engineer does ... thought it through before jumping into the breach.

The most stable part of each fat quarter is the edge that I didn't cut through when I cut the strips. The hand-dyed fabric had 4 cut edges so it didn't matter which side I kept intact. But the commercial fabric FQ still had a selvedge, so I left that one intact.

When I wove them together, I formed a corner where the two un-cut edges came together. That would be the most stable part of the piece and the best place to start pinning. I was working on a table with a smooth surface and every time I put a pin into the woven layers, the strips moved. Even pinning them, starting from the corner formed by the two un-cut edges, didn't help. And every time I moved the piece, things between the pins shifted.

Now I understand why, in her book, Wendy recommends using water-soluable stabiliser as a foundation. So, the next step is to follow the directions and repin the piece onto waster-soluable stabiliser, which I just happen to have here somewhere ...

MNO Challenge -- Shiva Paintstiks

I got out the Shiva paintstiks and decided it was time to give them a go. I've never used them before so even read the instructions before I started. There are instructions that came with the rubbing plates, but I found Paintstiks on Fabric by Shelly Stokes to be pretty inspiring.

First challenge was to get rid of the dry outer layer and expose the oil paint stick underneath. While the various instructions will be useful next time I use them, the first time you have to shave off the dry layer. If you try to pinch it off, as the instructions said, you will end up pinching off the entire top bit of the large wax crayons.

Second challenge was with the rubbing plates. I learned through trial and error that these plates have a right side (which gives good clear images) and a wrong side (which don't).

The paintstiks were dead simple to use and it was fun seeing how each rubbing plate came up on the fabric. I used plates from the Op Art set and the Triangle set here.

Now, I have to figure out what you do with a paintstik that you have rubbed down to the covering paper. Do you push the paintstik up into the tube exposing more material or do you peel back the paper like you do with a crayon? Enquiring minds want to know ...

I had two different blues and one green in my package of paintstiks. I decided to stop here because I wanted some more variety in the colours I used. I now remember why I always wanted the big box of 64 Crayola crayons (and, truth be told, still do).

So, being a resourceful internet shopper, I have ordered more colours. They will be a while because of a train derailment and a washed out bridge. So I'll finish this one off after they finish their trek from Perth. I am expecting a post card from them any day now.

Mosman Night Owls Challenge 2006

Early in 2006, I brought a parcel of Marimekko offcuts to our monthly Mosman Night Owls meeting. Each member of Mosman Night Owls chose one fabric and agreed to make something from that fabric for the November meeting, our last one of the year. The rules we agreed to were pretty simple:

• You could make anything that you wanted to make.
• You had to use some of the fabric in the finished piece and it had to be recognisable.
• You could alter the selected fabric in any way you wanted or use it as is.
  
• You could add as many other fabrics as you wanted.
  

This is the fabric that I chose ...

... and closer up ...

So, I got stuck into my stash and I found some hand-dyed fabrics and bought a few more. While they were the right colours, they didn't have much ooooomph. It is time to get creative.

Rusting Fabric

A previous blog showed my first attempt at using rust on fabric. While looking through my stuff for something else, I found the results of my rust attempt.

You can't tell from the photos, but because I put so much tension on the fabric in take advantage of the serated edges of the beer bottle caps, I managed to cut through the fabric in almost every rust circle. Note to self for next time.

And I started out with unbleached muslin so what rusting results I did get in the circles and the background areas were lost a bit. White fabric would have shown up the rust more. Another note to self.

Just for comparison, here are the results that Cynthia St Charles gets.

Imagine!

Yesterday was the fete at HRH's school and the weather was memorable -- cold, windy, cloudy with just enough rain to keep that chill going. By the time the Senior Band played I was well and truly ready to go home and warm up.

The quilt I donated to the silent auction actually went over the $500 reserve and I had to pay more so I could take it home with me. I wanted to be strong but, in the end, I decided that I just couldn't part with it. Besides, I was pretty chuffed that someone was willing to bid that much for it.

That sort of made up for the $200 parking ticket I got for parking out in front of the school. Seems that everyone who parked along MacPherson Street got booked. Always nice when the local council helps to support the community.

I managed to hold off at the White Elephant sale and got some lace bits and some junk jewelery for next to nothing. I've taken them apart already and the bead and baubles and bits will be very nice embellishments to go with the quilt I'm going to make from my birthday fat quarters, a rather distinctive colour theme (well, for me anyway).

All in all, a pretty expensive day, although most of it was for a good cause.

The Quilt I Can Never Exhibit

I was at a weekend workshop and Kate wore her name tag down on the hem of her shirt instead of higher up. She explained that it was to prevent men from saying "So, what do you call the other one?"

The inspiration for this quilt hit during the hysterical laughter that ensued. For those who weren't there and don't know the story, this work-in-progress looks like fish scales.

I cut the shapes from a packet of hand dyed fabrics that went from green to orange to brown and the entire quilt, all three layers and the shapes are vlysofixed together as per one of the workshops that weekend.

Recently, I added the round shapes so that I could show this for one of the challenges, 'Of the Body'. Unfortunately, no one sees fish scales any more. And I'll never be able to exhibit this quilt unless I can find a way to quilt and embellish this quilt so that it doesn't look so much like breasts.

Birthday Fat Quarters

I got a nice bundle of fat quarters from a group of Netties for my birthday. I thought that they were very nice but two of them (the ones on the right) just were that little bit out there compared to the rest.

When they were wet, they looked even more out of place.

So I dumped them into a bowl with hot water and some Parisienne essence. The results were quite dramatic when they were wet. But was it too much?

Was pretty sure that I'd gone too far. But once they were dry and folded, they joined the others quite nicely.

The last one on the right and the 8th one from the right were to two that got the dunk.

Wharf Rust #3

Wharf Rust #2

Wharf Rust #1

While waiting for the ferry one morning, I noticed how great the rusty metal on the wharf lookd ... almost like it had been painted. So, in front of all my fellow business commuters, I started taking photos.

It wouldn't have been so bad but just minutes before I had been picking up some plastic beads from a kids bracelet off the ground. Two people thought I'd lost something and bent down to help me look for it. HRH wouldn't have been completely mortified, she just would have walked past like she didn't know who I was.

Rain Update

Well, it looks as if the clouds came through with the rain for us. Not these clouds but ones later in the day and overnight. Sydney got a couple of millimetres of rain today. Not sure how much got into the cachements or what the dam levels are now but fingers crossed that some of the rain makes it there.

Looks Like Rain ... Or Not

It's hard to tell during a drought if clouds like these mean it's going to rain or it is just a cruel trick to get you hopes up. This time, it was just a cruel trick. But there is always next time ...

Azaleas

Up the Garden Path

Trees Impersonate

I go out early in the mornings, sometimes before the sun has decided to make an appearance, to walk around the reserve. In the dark, the trees can look a bit unusual and, when you are thinking about something else, suddenly grab your undivided attention. This one always gives me a start ... looks like someone is going to turn and look at you ... someone very big.


And when I come around the bend and look down at this one, for just a split second I think that I've come across a big, fat kukkaburra sitting on the branch of a fallen tree. But, alas, it never is.

Mosman Bay #3

Mosman Bay #2

Lichen #3

OK, I guess that you are over the lichen shots by now. From a traditional Western art point of view, they break all the classical design rules, but biology plays by it's own rules.